The Children's Gallery is dedicated to exhibiting from the national collection, aimed at maximizing and enriching the children's visiting experience. These exhibitions encourage and challenge children's attraction and stimulation to the arts, and are supported by a range of interactive experiences. Joining the Children's Gallery is free.

The game covers painting, photography, prints and sculpture from across the wonderful collection of the National Gallery of Australia. This exhibition reminds us of the importance of play in an artist's practice and in our lives. Connections explores the rich conversations that can take place between works of art across cultures, place and time.

Islamic works of art are combined with others in a collection of national art under themes such as calligraphy, geometry, color and gardening. Visitors learn about the beauty and diversity of Islamic art and develop an understanding of its influence throughout the world.

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17th century Iranian tiles National Gallery of Australia, Canberra, Will of William F Wells. Many artists are drawn to ideas of movement, change and transformation, and animals and creatures are favorite subjects, depicting these ideas in works of art.

These themes are unexpectedly stirred through prints, drawings, photography and sculpture from the national collection. Visit an exhibition that feels like a home. Finally, the house features prints, drawings, photographs, paintings and decorative arts by Australian artists from the national collection. The exhibition links art and home and demonstrates that works of art are often inspired by the artist's home environment. Imagine My World is a collaborative project between the gallery and early childhood learning centers in the Canberra region in response to the themes of home and a sense of place in House at Last.

An exhibition designed specifically for children 3-8 years old in combination with Turner Monet: the triumph of landscape. Discover works of art that are made from trees, about trees, or even about things that live in trees. See paintings, photographs, drawings, prints, sculptures, installations, furniture and much more. Kids can trace the tree to take home and have fun with the magnetic tree.

By looking closely at the drawings, we can gain powerful insight into the thoughts, ideas, and processes that artists explore in their work. George Lambert was a master draftsman who captured the changing world around him with his impressions of the pencil and explored new artistic ideas.

This exhibition aims to show how drawing can make thinking visible. Etchings, relief prints, lithographs and prints selected from the Australian print collection are presented with associated tools and materials. Informative wall texts, advanced labels, and videos describe processes that have been explored by printers today and in the past.

Travel back in time to explore the Australian jungle, Pacific Ocean, Southeast Asia and America. From a contemporary Australian artist's take on the Queensland rainforest to an ancient ceramic Mayan jaguar, the Children's Gallery comes alive with the flora and fauna of the tropics. Tropical rainforests contain 50 to 90 percent of the world's plant and animal species, but many are seriously threatened with extinction as a direct result of human activity. Children are encouraged to learn about the animals, birds, insects and plant life of the rainforest and think about their place in the world and the environment.

In detail: Sinu culture, Colombia's bird-shaped finale. Collection of the National Gallery of Australia. The treated object will draw from the Abracadabra Gallery - an overview of preservation techniques that reveal the secrets hidden in works of art. Children will be able to use ultraviolet light, magnification, x-ray games and computer technology to see invisible patterns in paintings, discover hidden repairs in pottery and see the internal structures of costumes and dolls.

Working from the familiar idea of ​​weather we all experience every day to the unexpected and dramatic, Rain or Shine will feature artwork from pre-Columbian ceramic figures to video art. The exhibition will have many references to pictures of the weather, from storms to sunshine, which children can observe as they view the exhibition.

After generations of colonial rule, a free nation was created at this exhibition Papua New Guinea, which celebrates the 30th anniversary of independence. Stories and images, both traditional and imagined, are recorded in pen, pencil, woodcuts and screening - all new forms of expression for artists from the region. These prints and drawings created during the independence years show three ways in which Papua Nujia artists have responded to their modern world.

The scripted show features works on paper and costume in the National Gallery of Australia's collection of Australian performing arts. Stage Fright will take young children and their families on a journey of discovery through mythology, fairy tales, visionary worlds and fantasy characters through designs designed for the ballet, opera and theater stage.

The photographers left the ground. Bouncing on a trampoline, speeding through the air on a snowboard, jumping off the highest platform by the pool, riding the waves, diving out of an airplane, jumping into a sauna in a ravine: the thrill and appeal of being free from gravity and in a state far from the everyday grind of one. undeniable. So many photographers became fascinated with working out how best to capture on film a body racing through space.

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Children's drawing is used in this article as a means to understand the transition from childhood to adolescence. The documentary method, applied to a pictorial form of expression, provides tools for viewing and explaining what drawings show.

An approximate image of a drawing guides readers through the steps of interpreting the documentary image to reconstruct the meaning of the document in the drawing. In this case, this is the artist's exploration of age-related developmental tasks: problems of body maturation, social expectations and the development of an identity that is consistent for them during the transition from childhood to youth.

Key words: children's drawings, interpretation of documentary images, pre-adolescence, gender identity, transitional space. This article is a translation from the original German into English. Documentary method and its application to children's drawings.

The example drawing describes the steps in the documentation process for recovering the embedded meaning of a document. In this case, this is the internal interaction of the creator with age-related developmental tasks: problems of the maturing body, social expectations and the unfolding of a consistent identity during the transition from childhood to adolescence.

Keywords: children's drawing, documentary interpretation of drawings, pre-season growth, gender identity, potential space. Understanding Imagery - Understanding Ourselves - The title of this psychology journal can be seen as a metaphor for the intention of the research that forms the basis of this article. The gender orientations of girls and boys aged eleven to twelve were reconstructed from their drawings in comparison with three Austrian schools. Isolation as a form of expression for children is intended to understand the processes that occur between childhood and youth, through the initial physical changes and social expectations that children bring, and which challenge growing girls and boys to challenge one coherent identity for them.

Self-portraits of children, their conflicts with the development of gender identity, as well as various conditions of socialization in the sense of differentiation of the police, are largely not covered. Drawings as a self-concept for children and adolescents and as a source of empirical research are rarely noticed in children's and youth research in general and especially for the age group studied. However, within the framework of the study to which this article relates, the figure has special significance.

Knowledge about gender orientations does not prevail at a conscious level. They lie at the pre-reflective level, more visual than linguistically stored. Norbert Noyce, these are not only internal images and feelings that can be more easily expressed in the medium of icon painting. Emotional and inexpressible proportions also flow more, and so the representation of conflict moves forward through the drawing process. Particularly during pre-adolescence, girls and boys engage in an ongoing process of searching and perceiving, trying out behavioral options and playing within the context of the social constructions of childhood, youth and gender.

Social discourses about femininity and masculinity are also increasingly important in relation to sexual orientations And social norms and influence psychosexual dynamics. Uncertainties, discontinuities and inconsistencies are often associated with these processes.

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As a research approach, this method offers itself, which, based on the sociology of knowledge of Karl Mannheim, has already revealed itself in its sources with images and provides access to tacit and embedded knowledge: the documentary method in its special application to the interpretation of drawings.

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Within the framework of the question of developmental psychology, traces are examined in which the image producer of images deals with the physical process of maturation and the perceived types of social gender. The focus is also on the conditions of socialization, since environment-specific character influences psychodynamic events and coordinates the co-construction of sexual Everyday life. In this sense, the process of drawing is finally brought up and analyzed in relation to Donald Winnicott's concept of transitional space.